As part of the great cultural renaissance generated during the post-independence period, there has occurred a most meaningful encounter with tradition in various fields of creative activity. The return to and discovery of tradition was inspired by a search for roots and a quest for identity.
This was a part of the whole process of decolonization of our lifestyle, values, social institutions, creative forms and cultural modes. The modern Indian theatre, a product of a colonial theatrical culture, felt the need to search for roots most intensely to match its violent dislocation from the traditional course.
Directors like B. V. Karanth, K. N. Panikkar and Ratan Thiyam have had a most meaningful encounter with tradition and, with their work, have reversed the colonial course of contemporary theatre and put it back on the track of the great Natyashastra tradition. It sounds paradoxical, but their theatre is both avant-garde in the context of conventional realistic theatre, and still belongs to the Natyashastra theatrical tradition.
Decolonization is the process of
Decolonization means becoming independent from, so the answer is becoming independent from.
Decolonization is the process by which a colony frees itself from colonial rule and influence.
In the passage it means shedding colonial patterns in lifestyle, values and creative forms.
So it is best captured by becoming independent from colonial control.
Becoming dependent on is the opposite of decolonization.
Relying on also suggests continued dependence, not independence.
Learning from describes influence, not the freeing from control that decolonization means.
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